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    • My Progress
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    • Merit Universities
    • The Names
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    • The Brew
    • The Bite
  • The Bite

    Oil painting still life of toast, mayonnaise, chutney, deli turkey, cheese, and a butter knife on a wooden cutting board, with small lighthouse logos on the jars and bread bag.
    June 30, 2026

    In 2002, Warren Zevon sat across from David Letterman on his final television appearance. He had terminal lung cancer. Letterman asked him what his diagnosis had taught him about life. Zevon said: you are reminded to enjoy every sandwich.

    Not every sunset. Not every journey. Every sandwich.

    This post is about sandwiches. And I am not apologising for it.

    A sandwich is not a recipe. It is eyeballed. Built by feel. By what is in the fridge at that moment. By how hungry you are standing in front of an open door with cold air on your face and nothing planned. No two are the same. Even when you use the same ingredients.

    Some days it is precise. Every layer aligned. Every edge trimmed. Other days it is chaos. Overstuffed. Dripping. Falling apart in your hands. Both are correct. Both are art. Look at one from the side after you cut it in half. The colours. The layers. Green against white against pink against gold. A Michelin-starred chef plates one with tweezers and calls it a deconstructed croque monsieur. A man on a street cart in Istanbul wraps one in paper with his bare hands and calls it breakfast. The difference is the price. Never the love.

    Every culture has one. The banh mi. The bocadillo. The shawarma wrap. The club sandwich at the hotel you cannot afford but ordered room service at anyway. A sandwich does not belong to a cuisine. It belongs to hunger. And sometimes to something quieter than hunger.

    When a mother makes one for her child, she is not assembling ingredients. She is giving something. When a wife wraps one for her husband before he leaves. When a man leaves one in the fridge for the woman he loves to find. Because a sandwich is made entirely with your hands. You choose every layer. You press it together. You squeeze it. You cut it if it is for a child. And then you tuck it. Into paper. Into a box. Into a bag. That tucking is the most intimate part. You are wrapping something you made with your hands for someone you love to open when you are not there. That is not cooking. That is a letter written in bread.

    They travel with you. They wait for you at midnight. They sit with you on a park bench. They leave evidence on your shirt and crumbs on your desk. They fill us when we are empty and ask nothing in return.

    And that is exactly what Zevon meant. He was dying. He did not say enjoy every symphony. He said enjoy every sandwich. Because the point was never the extraordinary things. It was the ordinary ones. The ones you make in two minutes and forget by the afternoon. Those are the ones worth savouring. Because one day you will not be able to make one.

    Enjoy every sandwich.

    Now that I am in the workshop, I am making five on rotation. They change when the fridge changes. You will find them on a new page called The Bite. When the bread runs out, the five will change. Because that is what sandwiches do. They are never permanent. They are always right now.

    Write in the logbook
  • The Brew

    Engraved illustration of a pour-over coffee setup on a rustic wooden table, with a lighthouse mug, golden kettle, coffee bag, spilled beans, and folded cloth.
    June 29, 2026

    Unlike many Kuwaitis, I was not introduced to coffee through a Starbucks Frappuccino or Arabic coffee. My introduction was قاصد خير’s famous فرنسية حلوة. I started young. Middle school. I even asked the Sabry the coffee and shisha short funny guy to teach me how he makes it. Turkish coffee with carnation. Nothing fancy. Everything right.

    From there I moved to dark Turkish, mid-sweet. By the end of high school, no sweet.

    During my first year of university I discovered the French press and the watery espresso which was made using the Moka pot. By my second year I had my first espresso machine. This was before Nespresso existed. When it did, I bought one for my first job.

    But all of those years I drank coffee for the caffeine. To stay awake. To get through. It was a task. Not an indulgence.

    The indulgence started during my postgraduate years when I was introduced to 90+ graded specialty coffee beans. I brewed them as French press, V60, Kalita, AeroPress, and my favourite at the time, the Clever Dripper. I got certified in multiple SCAE professional courses. I bought a handmade Japanese gooseneck kettle from Japan and fell in love with the zen of a slow manual pour. The patience. The precision. The ritual of watching water spiral through grounds at exactly the right speed.

    Today I have a Fancy La Marzocco with multiple grinders for milk-based drinks. The courses. The equipment. The kettle. The ritual. Years of learning. Thousands spent.

    Then I found the Xbloom.

    It does what took me years to learn in under four minutes. Every technique. Every calibration. Every meditative pour. Replaced by a machine that understands coffee better than my hands do. If I were to start over and could only keep one tool, it would be the Xbloom. It would have saved me the courses, the equipment, the grinders, and the years of convincing myself that the ritual was the point. The coffee was always the point. The Xbloom knows that.

    Now that I am in the workshop, I am drinking two to four cups a day and going through bags faster than I go through blog posts. So from time to time I will be sharing which coffee I am drinking and the best Xbloom recipe used for it.

    If you are a coffee lover, I hope you enjoy. And if you have a recommendation or want me to try specific coffee beans and develop a recipe for it, leave a note in the logbook or send a signal.

    Write in the logbook
  • كفّارةُ سنةٍ في يوم

    A white lighthouse glows at sunset on a green coastal cliff, with wildflowers, a winding footpath, calm ocean water, seabirds, and a small rowing boat below.
    June 23, 2026

    يوم عاشوراء يومٌ من أيام الله المباركة، نجّى الله فيه نبيَّه موسى عليه السلام وقومَه من فرعون وجنوده، وعظّمه النبي ﷺ فصامه شُكرًا لله وأمر المسلمين بصيامه. وبيّن الشيخ ابن باز رحمه الله فضلَ هذا الشهر فقال: — يقول النبي ﷺ: أفضلُ الصيام بعد رمضان شهرُ الله المحرّم… فالسنّة أن يُصام هذا اليوم يوم عاشوراء.

    وأصلُ مشروعية صيامه ما ثبت عن ابن عباس رضي الله عنهما — في صحيح مسلم — قال: قَدِم النبيُّ ﷺ المدينةَ فرأى اليهودَ تصوم يومَ عاشوراء، فقال: — ما هذا؟ قالوا: هذا يومٌ صالح، هذا يومٌ نجّى الله فيه بني إسرائيل من عدوّهم فصامه موسى. قال: — فأنا أحقُّ بموسى منكم. فصامه وأمر بصيامه.

    وقد كانت العربُ تعرفه قبل ذلك، فثبت عن عائشة رضي الله عنها — متفقٌ عليه — قالت: كانت قريشٌ تصوم عاشوراء في الجاهلية، وكان رسولُ الله ﷺ يصومه، فلمّا هاجر إلى المدينة صامه وأمر بصيامه، فلمّا فُرض رمضان كان هو الفريضةَ وتُرك عاشوراء، فمن شاء صامه ومن شاء تركه.

    وأمّا فضلُ صيامه فقد جاء عن أبي قتادة رضي الله عنه — في صحيح مسلم — أنّ رسولَ الله ﷺ سُئل عن صوم يوم عاشوراء فقال: — أحتسبُ على الله أن يُكفّر السنةَ التي قبله.

    ولأنّ اليهود كانوا يصومون العاشرَ وحده، شرع النبيُّ ﷺ مخالفتَهم بضمّ يومٍ إليه. فقد ثبت عن ابن عباس رضي الله عنهما — في صحيح مسلم — قال: قال رسولُ الله ﷺ حين صام يومَ عاشوراء وأمر بصيامه، فقالوا: يا رسولَ الله إنّه يومٌ تعظّمه اليهود والنصارى، فقال: — فإذا كان العامُ المقبلُ إن شاء الله صُمنا اليومَ التاسع. قال: فلم يأتِ العامُ المقبلُ حتى توفّي رسولُ الله ﷺ.

    ولذلك قرّر الشيخ ابن باز رحمه الله ما يُستحبّ صومه فقال: — أمّا صيامُ عاشوراء فالسنّة أن يصوم الإنسانُ اليومَ العاشر من المحرّم، وأن يصوم معه يومًا قبله أو يومًا بعده، والأفضل أن يصوم التاسع مع العاشر، لقول النبي ﷺ: «لئن عشتُ إلى قابلٍ لأصومنّ التاسع» يعني: مع العاشر… فالسنّة للمؤمن أن يصوم التاسع والعاشر جميعًا، أو يصوم العاشر ومعه الحادي عشر، أو يصوم الثلاثة جميعًا: التاسع والعاشر والحادي عشر، كلُّ هذا فيه مخالفة لليهود.

    وفصّل الشيخ ابن عثيمين رحمه الله مراتبَ صومه فقال: — قال بعض العلماء إنّ صيام عاشوراء على ثلاث مراتب: المرتبة الأولى: أن يصوم التاسعَ والعاشرَ والحادي عشر. والمرتبة الثانية: أن يصوم التاسعَ والعاشر. والمرتبة الثالثة: أن يصوم العاشرَ والحادي عشر، هذا هو الأفضل. وأمّا من اقتصر على العاشر فلا حرج عليه لعموم الأدلّة الدالّة على فضيلة ثواب صوم اليوم العاشر.

    ويُرجِّح الشيخ ابن عثيمين رحمه الله جمعَ التاسع والعاشر فيقول: — الأفضل للإنسان أن يصوم التاسعَ والعاشرَ من شهر المحرّم، هذا هو الأفضل، لأنّ النبي ﷺ سُئل عن صومه في عاشوراء فقال: «أحتسبُ على الله أن يُكفّر السنةَ التي قبله»، لكنّه قال: «لئن بقيتُ إلى قابلٍ لأصومنّ التاسع» يعني مع العاشر… فالأفضل أن يصوم قبله يومًا أو بعده يومًا، وإن صام التاسع فهو أفضل من صوم الحادي عشر.

    فاجعل لك من هذا اليوم نصيبًا من الصيام والذكر والاستغفار، شُكرًا لله الذي نجّى موسى وأهلك فرعون، ورجاءَ أن يُكفّر اللهُ به ما تقدّم من ذنبك.

    اللهم تقبّل منّا صيامنا وقيامنا، واغفر لنا ما تقدّم من ذنبنا، واجعلنا ممّن إذا أنعمتَ عليه شكر، وإذا ابتُلي صبر، وإذا أذنب استغفر.

    Write in the logbook
  • Gravity

    A lone astronaut in a white spacesuit drifts through dark space above a tiny lighthouse on a rocky island, whose warm beam shines upward toward the astronaut across the black sea.
    June 22, 2026

    I said I would not be posting for a while. That the keeper was stepping down to the workshop.

    And then something pulled me back up. The only word that fits is gravity.

    What is gravity?

    Newton gave us the equation. He explained apples, tides, orbits, and the moon with one formula. But he refused to say what gravity was. He described its behaviour with perfect precision and admitted he had no idea what he was describing. The most powerful description in the history of science. Of something the scientist himself could not explain.

    Scientists described what gravity does. None of them described what it is or what it feels like.

    So the singers tried. And they were better.

    Coldplay used gravity as romance. The force that pulls two people toward each other when they look at the same sky.

    Mayer used gravity as resistance. The thing working against him every time he tries to rise. The weight that wants him back on the ground no matter how hard he climbs.

    A Perfect Circle used gravity as addiction. Lost, broken, dizzy, surrendering. Hands reaching for another pill. The pull toward the thing that is destroying you while you beg to be released from it.

    Sara Bareilles used gravity as a person. Someone she keeps falling back to no matter how many times she tries to leave. The pull is not physical. It is emotional. And it is the one she cannot resist.

    Love. Resistance. Addiction. And the person you cannot leave. Four songs. Four gravities. All real.

    And anyone who has ever been unable to get out of bed on a morning when nothing is physically wrong knows a fifth. The alarm goes off. The body says no. Not tired. Not lazy. Just heavy. The kind of heavy that has no name and no song and no lyric. That is also gravity. The one nobody sings about because the person feeling it cannot get up to press play.

    Five gravities. And nobody wrote an equation for any of them.

    The singers understood what the scientists did not. That gravity is not one thing. It is the pull toward the person you love and the weight that keeps you from getting up. It is what brings you home and what pins you down. Warmth and heaviness. Love and depression. The same invisible force doing opposite things to different people on different days.

    Maybe gravity was never meant to be explained. Maybe it was only ever meant to be felt.

    And maybe all five explain why I am here. The romance of writing pulled me back. The resistance of the workshop tried to keep me down there. The addiction to this screen won again. The person I cannot leave is this blog. And some mornings, the heaviness almost kept me in bed instead.

    But gravity won. It always does.

    Hopefully this is my last post for a while. I am going back to the workshop. And this time I am building an anti-gravity suit first. I need more time down there.

    And to the gravity that keeps pulling me back to this screen,

    Set me free, leave me be.

    Write in the logbook
  • Harry Potter & The Hidden Flame pt. 2

    hree speckled ceramic cups on a wooden lighthouse balcony railing overlooking an autumn valley and winding river at sunset, including two coffee mugs and a child’s sippy cup with a pink lighthouse drawing.
    June 22, 2026

    It is over. An end to a beautiful beginning.

    Seven books. Eight films. Because some endings cannot fit inside one.

    Deathly Hallows was split into two. Not because the studio wanted more money. Because the story needed more room. Part 1 was the escape. Part 2 was the acceptance. Part 1 was running. Part 2 was turning around and facing what you had been running from.

    Hogwarts Week was supposed to be seven posts. It is now eight. For the same reason.

    Part 1, Harry Potter and the Hidden Flame, was the escape. I wrote it on day seven because I could not publish what was supposed to be there. This, Part 2, is the acceptance. The part where I stop running and explain why.

    Before Hogwarts Week, I had writer’s block. Seven posts on the blog and the words had stopped coming. So I invented a challenge. Seven Potter-themed posts in seven days. A way to force the block open. It worked.

    But while all of that was happening, there was another post. One I had been carrying for much longer. Written during my vacation. Rewritten after. About Harry and Hermione and Lily-Rose. About the greener grass we never stop painting. About a word in Arabic that I inherited from my mother and spent without noticing. القناعة. It was called Stay Here. Grow Old. And it had nothing to do with Hogwarts Week. It existed before the challenge. Before the block. Before any of the seven days.

    But I could not publish it.

    The first time I came to post it, I was not ready. So I did not. The next day I revisited it. Still not ready. So I told myself the problem was the featured image. It needed a better one. When I had the better one, I came to post it. But by then, things had changed. Circumstances had changed. So I held off and rewrote it to match. When the rewrite was done, the featured image no longer fit the new version.

    Then Hogwarts Week started. And on day six I realised Stay Here. Grow Old was Potter themed. It could close the week. Day seven. The final post. Perfect.

    And on day seven, as I was reading it one last time, I deleted it. Maybe by mistake. Maybe on purpose dressed as a mistake. The kind of accident that only happens when part of you wanted it to happen. Because I was not ready. I was never ready. And every excuse, every delay, every rewrite, every image that did not fit was me already knowing this. I just needed to delete it to understand.

    Something broke that day. The way something broke in Voldemort the night he went to Godric’s Hollow. He made six Horcruxes on purpose. Each one planned. Each one deliberate. But the seventh was an accident. Harry. A fragment of soul that split off and attached itself to a boy without anyone planning it. Not because Voldemort chose it. Because something had already broken so badly that a piece came loose on its own.

    So instead, a new post split off on its own. A confession about never watching the films properly. About consuming Harry Potter the way a second hand smoker consumes nicotine. Standing close. Breathing. Without ever lighting one myself. I called it Harry Potter and the Hidden Flame. The accidental Horcrux. Part 1. The escape. And that is how Hogwarts Week ended. Not with the post I had been carrying. With the fragment that broke off from it.

    But Deathly Hallows did not end with Part 1. And neither does this.

    Part 2 is where Harry walks into the forest. Not to fight. To accept. He had been running the entire series. Seven books of running. And in Part 2 he stops. He walks toward the thing he had been avoiding. Not because he is brave. Because he finally understands that the running was the problem, not the destination.

    Maybe it is better this way.

    Dumbledore always knew more than he said. He answered questions with riddles. He left rooms before the conversation was finished. He kept truths in drawers he never opened in front of anyone. And when Harry asked him direct questions, he often smiled and said nothing. Not because he did not have the answer. Because some answers do more damage when spoken than when kept.

    Some things are better left unsaid. Not because you are not ready. Because they were never meant to be said. Every delay was the answer. Every excuse was the answer. Every rewrite was the answer. I just was not listening.

    Now I am.

    Hogwarts Week is over. Six Horcruxes on purpose. A seventh by accident. Seven books. Eight films. Seven planned posts. An eighth that broke off on its own. Some things break. Some fragments survive. Some endings need two parts.

    But the lighthouse is still on. The keeper is still here. And at the top of this post, the only thing that survived. A featured image for a post that no longer exists. A frame with no painting. A shell with no pearl.

    Hidden. But the flame is still warm. Always.

    One more thing. I will not be posting for a while. Three weeks. Maybe more. The keeper is not leaving the lighthouse. He is just stepping down to the workshop. Tinkering. Finishing things that were started and never completed. Starting things that have been waiting. The light stays on. The beam keeps turning. But the keeper will be downstairs. Building. And an intern will be with him assisting.

    And maybe, just maybe, while I am down there, I will start writing my own tale. Three characters. A witch. A cockroach man, a cat, and goons. A story that has been sitting in my head the way Stay Here. Grow Old was sitting on my screen. Waiting. Not ready. But not leaving either.

    Except this time, I will not delete it.

    Write in the logbook
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  • Home
  • The Lighthouse
    • My Progress
    • The Logbook
    • The Keeper
    • The Signal
  • The Workshop
    • Merit Universities
    • The Names
    • The Desk
    • The Brew
    • The Bite
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